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  1. Steve Winwood climbs onto a small balcony and peers through the curtain at the keyboard of London's Royal Albert Hall organ. The only time he's ever seen this beast played, he says, was when the Mothers of Invention did "Louie Louie" on it. When was that now, '66? '67? Nobody quite remembers.

    "And when did you last play here, Steve?" asks someone else. He looks upward and squints at the flying saucers in the Albert's roof, as if trying to find a date to fit the image. But no. He doesn't remember that either. He laughs, amused at his own vagueness.

     

     

  2. April 1, 1976

    Go: Liner Notes

    This is also a genuine 'concept album', and the story that inspired and is reflected by the songs (though not explained in detail by the music) may well be expanded in later concerts, films or elaborate stage-shows. "Go" is conceived as the basis for possible multimedia experiments, maybe involving dance, mime and special electronic effects, further exploring the rock-theatrical field in which Stomu has already achieved so much.

     

  3. Since he moved from the now-famous country cottage in Berkshire where Traffic got to together, to his home in Gloucestershire, Steve Winwood has been quietly organizing what is most musicians' ideal situation - a place at home where they can not only rough out their projects, but actually record the finished article.

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    Steve had always been quiet and unaffected and sometimes at a loss to explain himself or his beliefs. But despite this, he has firm ideas about what should be done musically, and the way he wants to do it.

    Today, six years on from the era when he was making hit singles and attracting the interest of rock society from the Beatles downwards, Steve can see the past with greater clarity, and views the future with renewed enthusiasm.